iKoustic

BackgroundiKoustic were contacted following an acoustic report carried out by Nova Acoustics on the internal acoustics of the restaurant which had begun to receive complaints about the reverberation levels of the room (4.2 seconds), this resulted in poor acoustics caused by any conducted noises from the open kitchen and conversations to bounce around the room, this lead to a negative experience of the Michelin Star venue.We followed up with an onsite evaluation to discuss our range of acoustic absorption options we could implement to address the reverberation issues of the restaurant, we wanted to fit our ideas successfully into the current interior design of the venue of which consisted of a range of ambient pendant lighting, monochrome fixtures and unique granite tables.The restricted and varying head height of the venue brought its own unique challenges and limited us in what we could design, we needed a Sound Absorption system that was slim line, adaptable and semantic to the existing aesthetic of the restaurant.SolutionWithin the ideation phase we came up with a range of concepts/products, spending some time producing visualisations of the concepts and discussing the options with Michael O’Hare himself. Once decided on one primary acoustic concept, consisting of installing our Popped Note™ product on the ceiling with brushed stainless-steel stand-off bolts as a fixing. We also designed and manufactured a bespoke piece of acoustic art for Michael O’Hare that we collaborated on – this was a large black love heart with a lightning bolt in white on top, off setting for a three-dimensional approach.The open plan design of the restaurant led to a large portion of sound coming from the kitchen and then travelling out into the restaurant, to address this noise issue, we installed black MuteSpace Pro around the entrance to the kitchen to absorb the reflected sound energy.ResultsThe resulting installation has provided The Man Behind The Curtain with 30m2 of Class A and Class B absorption throughout the venue, reducing the reverberation time and therefore improving the holistic experience to their customers.

This exciting project involved a collaboration between iKoustic Soundproofing, the Zabludowicz Collection and Internationally acclaimed, London artist Haroon Mirza which fuses Science and Art to construct what is called an Anechoic Chamber. This silent space is designed for experimental and experiential research purposes on the idea of ‘A Partnership Society’ taking influence from Riane Eisler’s stance on societal progression.

Like a lot of homeowners, William Oakley had an under-utilised part of his house. In his case an old outbuilding that had been used for storing the accumulation of life’s odds and ends. Lockdown saw high growth in repurposing previously neglected parts of people’s homes to better suit their lifestyle and leisure choices. William decided a new soundproof cinema room would be a far better use of this space, giving his family a much-needed entertainment area.This is the space William Started withWilliam engaged Cinema Rooms Ltd, a specialist AV equipment supplier and One Off Studio Ltd who specialise in the build and installation of Home Cinemas and Studios.Due to the proximity of the proposed soundproof cinema room to neighbouring properties, it was decided to investigate what acoustic treatments were available. Without adequate acoustic insulation, William’s neighbours may have been subjected to significant noise pollution resulting in potential neighbourhood disputes.Following a quick online search, William found iKoustic, a leading UK supplier of acoustic solutions. Discussing the available options with William and his installation team, iKoustic’s experts were able to advise on the most appropriate system to meet his needs. This included MuteClip, MuteCradle and Tecsound SY70, the quick and easily installed acoustic system providing market-leading acoustic benefits.iKoustic acoustic expert Richard Woodhouse explained, ‘Finding the right solution was imperative for all parties. The system we proposed using MuteClip, MuteCradle and Tecsound SY70 was a cost-effective solution to a complex but often seen problem. The impact of unwanted noise is such an emotive issue in noisy neighbours’ scenarios often resulting in easily avoided disputes if the right materials are included in the project from the outset. iKoustic take pride in sharing our knowledge with installers and end users to ensure the job is right the first time, saving expensive and intrusive remedial work.’Maciek Helfer of One-Off Studio commented, ‘This is the first time I’ve worked with the MuteClip and MuteChannel acoustic system. It was so quick and easy to install. I also found it very useful I could FaceTime Richard at iKoustic with any installation queries when building the soundproof cinema room’. Simon Gregory of Cinema Rooms enthusiastically added, ‘We only work with the highest specification brands and products to bring customers the best Home Cinema experience. The iKoustic team’s expertise and products fall into this category and we’ll definitely be using them again.’William’s soundproof cinema room is now fully operational and thanks to iKoustic his family can enjoy the latest blockbusters in glorious surround sound late into the evening, while his neighbours enjoy a peaceful night safe in the knowledge the biggest Hollywood stars will only be joining William. William commented, ‘We finally got to test out the soundproofing for the first time today with some serious SPL! The system has worked beautifully, barely a whisper outside. Fantastic job iKoustic!’https://www.ikoustic.co.uk/systems/floating-floors-and-under-screed/mutecradle-1630mm-concreteMuteCradle 16/30 was used to create a raised floor with the added benefit that the cradle and packers also allow accommodation of unevenness within the subfloor.The raised floor not only improves acoustic performance but allows servicing to be run through the floor void. Ideal for a soundproof cinema room.Wallshttps://www.ikoustic.co.uk/systems/masonry-wall/muteclip-stud-doubleMuteClip® Stud Double consists of an independent stud frame treated around the perimeter with Isolation Strip F5, MuteClip and MuteChannel are installed to the face of the stud. A double layer of 15mm acoustic board with Tecsound SY70 sandwiched between the two boards is then installed to MuteClip Channels.The system not only adds significant mass to the partition, but the layers of mass are decoupled from the structure by MuteClip. MuteClip is, in effect, a shock absorber – creating a ‘buffer’ between layers of mass and the core construction.The depth of the wall system also allows for servicing to run through the wall cavity of the soundproof cinema room.Ceilinghttps://www.ikoustic.co.uk/systems/timber-ceiling/muteclip-lp-doubleAs the ceiling height was restricted initially and further reduced by specifying a floating floor, MuteClip® LP (Low Profile) was used to minimise further loss in height.MuteClip LP again is a mini-shock absorber that decouples layers of mass from the core construction.With MuteClip LP you recess the clip and most of the channel into the joist cavity with channels running parallel to joists, this leaves just a few mm of channel sitting proud of the bottom of the joists – an acoustic benefit of MuteClip but with little encroachment on head height. This works great in a soundproof cinema room.If you are looking to build a soundproof cinema room you can contact ikoustic and our friendly team will guide you with everything you need to know to get started. Contact us today.

The clinking of glasses, the chatter of patrons and the selected music are all essential to a vibrant dining experience. This experience is, other than that of the food, is one of balance that is often found tipping towards the more noise-related end of the scale. An enjoyable experience does not include people having to raise their voices above one another, or by missing out on a conversation because they cannot hear. This effect is called the Lombard effect, or ‘Café effect’ where groups unconsciously raise their voices over others so that they can listen to. This effect continues to happen until the room reaches a dreadful cacophony.There is now greater access to online reviews that can be brought up in seconds on your smartphone. There are even Crowdsourcing apps (check out SoundPrint) that allows the user to measure the loudness (in decibels) and categorise how loud it is. You will also find those food critics discussing how ‘noisy’ a restaurant is, as over time they have cranked up the volume. Potential customers now have these ‘tools’ to help avoid eateries that do not match what they want as an experience, and this could be potentially your restaurant(s)!When it comes to noise and sound, this is your ‘acoustic environment’. When Bluebell got hold of iKoustic to see how a new and thriving restaurant could create a better acoustic environment, we walked them through what is possible, and the path to dimming the cacophony.Noise in Restaurants.In open-plan restaurants like Bluebell, designers are creating a living, breathing space. These feature kitchens that blend into dining areas and have high ceilings that expose the ducting of air conditioning with light fixtures that extend the reach of the room. They are also made up of hard-finished furnishing and surfaces to appeal to the current boom in minimalism. Not only this, but the hard furnishings are easy to clean, another area of management for making sure your restaurant is in tip-top shape. But, what these mean for your acoustic environment is far less manageable without professional input and a series of effective resolutions in place. There has been a rise in studies of noise, music, taste and experience in hospitality in recent years; it is a complete sensory experience combined with social interaction. It is our vision, hearing, taste and smells that all become excited. The rise in noise found in restaurants has steadily grown year on year. On some occasions, these measurements have been found at damaging levels to our sensitive ears, let alone at levels that are comforting for allowing conversation; an essential part of the social element of dining out. The Guardian has found that“The dB levels at many restaurants far exceed this pleasant thrum [between 55-65dB]. The average sound level recorded in UK restaurants on Soundprint, taken between 6pm and 9pm, is 79dB. “I’m sure many of those are above 80, and I’m sure some are above 85,” says Scott. “It’s really loud for conversation.” In 2017, the UK charity Action on Hearing Loss (AoHL) found that noise levels in some well-known chains, such as Patisserie Valerie, topped 90dB on busy evenings. That’s the equivalent of munching your croissant next to a lawnmower or motorbike.”and if you are finding these kinds of levels at your restaurant, these would most definitely land complaints and critiques pointing this out.There are possible connections between the sound intensity and the drinking of alcohol, but when combining this with food, it comes up as the second most common complaint in restaurants. Different intensities in background noise may even affect what you taste. PRI’s study on the impact of sound on taste highlights the following.“Researchers asked participants to eat chips and cookies while listening to white noise at either high or low volumes, or in silence. They found that the eaters perceived saltiness and sweetness as less intense when they ate the food in the presence of loud background noise, in contrast to when they ate it with quieter or no background noise.”The fascinating part of what we are beginning to discover is that there are certain foods that taste best or worse at specific sound intensities, with the aviation industry tailoring their meals to match the loud roar of jet engines, to the average dB levels of restaurants revamping their menu for the different intensities. Reverberant spaces are open and reflective. They allow everyone’s conversation, the clanging of pots and pans in kitchens and the background music to all meld together as intrusive background noise. It is the introduction of more absorptive surfaces that help to control this ‘bouncing around’ and reinforcement of perceived amplitude of the sound. Acoustics Today has highlighted that“The higher the average absorption coefficient, the more sound will be absorbed by the room surfaces. So, if a restaurant is to offer a quiet, subdued environment, where people can talk quietly, it is important to use larger amounts of sound-absorbing material on the available ceiling and wall areas. If a venue is to have a more “energetic” feel, less sound-absorbing material should be used, but that material should be used in strategically placed areas that have the potential to get louder than others”. It is not that that whole room would require absorptive materials; this would not create a vibrant balance and would be more like dining in an anechoic chamber! The aim is to place them evenly across walls and ceiling so that there is a more even surfacing that will absorb the sound energy.As we mentioned, it is about the balance of what you want for your restaurant’s atmosphere and experience. These will determine the amount of internal acoustic treatment you will need to create it. BluebellBluebell has had a successful start with their food, but after receiving a few reviews about the noise at their restaurant, especially on busy evenings, they got in contact with iKoustic. With an open-plan dining space made up of glass partitions, hard finished walls and floor – this resulted in a very challenging and reflective environment. Both at lunchtimes and evenings, the noise reverberated and caused massive disruptions to the conversation of others.The team at Bluebell wanted a complete design that would complement their current interior design and colour scheme, so we needed to work together on finding a solution that would do so. We went to visit them to present our Note™ range on-site to show them the possibilities of not only matching their surface colours but also their light fixtures and cooling fans. We brought along our ‘mood-board’ to collaboratively choose the right tone and mood of the room by comparing these internal features with our available options!MeasureWe took a simple projection of estimated reverb time by using a modelling of the room. These take what is called the ‘absorption coefficients’ of the surfaces, how absorbant a surface is in other words and calculates an estimated reverb time. This reverb time is how long it takes the sound to decay. You can discover more about reverberation by pressing on our icon below.Dimensions of the spaceLength – 8.1mWidth – 4.9mHeight – 4m (top of pitch) 2.4m (bottom of the pitch.)Estimated Reverberation CalculationsFrom these dimensions, our calculations were estimated at a reverberation time of 3.3 seconds, much too high for a restaurant with receiving even modest levels of speech intelligibility. We would usually aim between 0.8 – 1.2 seconds. We proposed that at least 17.3m2 of Class A sound absorption would be needed to be at the levels between 0.8 – 1.2 seconds. This would need applying across the wall and ceilings space for best coverage.LookTo present our proposed finished look, we provided them with our visualisation service. 2D drawings would help display the layout of our Hexagonal Soft Note™ panels wrapped in Camira Cara Fabric. The choice of using Hexagonal cuts in various sizes and colours not only creates a visually stimulating space, but the shaping also allows more space to add sound absorption in these areas, just as bees do with its honeycomb structure.From the measurements, we then created a 3D scale of the room with its current colour scheme and implemented our approved Note designs with the addition of Soft Note™ Pro on the ceiling, evenly spaced. In this process, we include all fixtures and furniture that we closely match to assure best representation.Hexagonal Soft Note™ x 18 (various sizes)Soft Note™ Pro x 20All ceilings panels were evenly spaced to provide the best performance possible, and this is important when reducing reverberation as there is more available absorptive surfaces.FeelOur installation team installed the panels as direct adhesive fixing so as not the impose on the room or interfere with the fixtures. The Hexagonal shaping in these colour gradients created an off-beat style of imagery but at no time feeling out of place. The different sizing and placement also allowed various shapes to appear from the original wall which we think creates a stimulating visual.The texture of the Hexagonal Soft Note™ panels comes from the Camira Cara Fabric wrap, and this gives them more depth instead of a solid colour wrap. An approach that both us and the team at Bluebell love.The final sound was vastly improved and the ‘feel’ of the room was undoubtedly more controlled, we now await those reviews after a busy period from customers that congratulate them on the improved acoustics of the room!

BackgroundWe were contacted by a well-known gym franchise who specialise in functional training, which is a mixture of circuit and HIIT style workouts orientated around everyday movements. This style of training includes a variety of activities (e.g. Slam Balls) which can cause substantial vibrations and airborne sound to transfer through the floor, which can in turn affect the neighbouring properties.They required an acoustic gym flooring system that would reduce the overall environmental impact and noise pollution associated with these types of gyms, the owners of the property had some acoustic tests carried out by an independent acoustic consultant who specified the level of acoustic requirements.We put forward a range of our MuteMat® Gym systems, to be tested against various competitors. From these tests, we understood which of the systems would perform to the required impact reduction as specified by the acoustic consultants. We continued by providing the client with a range of quotations for the appropriate MuteMat® Gym acoustic flooring systems.Supply and InstalliKoustic was selected to supply and install the MuteMat® Gym 15-B68 system as we could offer a high-performing solution with a short lead time for a fully installed system at a very competitive price. This system consists of our MuteMat® Gym 15 as a top layer which has a dual density make-up with a base layer (B68) consisting of two layers of MuteMat® USP 625-17 and one layer of MuteMat® Gym B34. MuteMat® Gym systems provide unrivalled acoustic performance due to its multi-composite layers of various densities, thicknesses and material types – going to impressive lengths to reduce a wide range of impact noise issues that cause significant concern for gyms, areas that include cross-fit activities, heavy free-weight areas and stack.This project was over 148m2 of our MuteMat® Gym 15-B68 system which consists of 13.86 recycledtyres per m2  resulting in the entire project preventing over 2051 tyres from going to landfill.Acoustics in GymsDue to our ever-growing urban population, there are more and more urban or boutique gyms being constructed in commercial buildings that share their space with neighbouring properties, businesses and/or companies. Unfortunately, the environmental impact of untreated gyms can result in severe noise pollution in the surrounding areas. Fortunately, we have a wide range of acoustic gym systems and products that can dramatically reduce the acoustic issues associated with urban gyms.If you are interested in talking through a project that requires acoustic gym flooring or some of our acoustic gym products, please give us a call.

Initial Assessment:The meeting room at BlueVoyant in Leeds was plagued with excessive echo and reverberation due to the abundance of hard surfaces. This acoustical problem made it difficult for employees to communicate effectively during meetings, particularly during conference calls.Requirement and Solution:To address these issues, it was necessary to install effective acoustic treatment to absorb excess sound and reduce reverberation. The solution involved installing Still Note panels, which are designed specifically to improve room acoustics by absorbing sound reflections and minimizing echo. The 40mm panels were suspended from the ceiling at a height of 20 to 30 cm.Positive Results:Reverberation Reduction: The reverberation in the meeting room was significantly reduced, creating a more acoustically pleasant environment.Improved Communication: Speech became much clearer, enhancing overall communication during meetings.Enhanced Conference Calls: Echo from glass and other hard surfaces was minimized, making speakerphone conversations more intelligible.Before and After Comparison:A before-and-after comparison was conducted using a clap test, demonstrating the substantial improvement in reverberation levels:Before Installation: High reverberation, poor speech clarity.After Installation: Low reverberation, improved speech clarity.Conclusion:The installation of Still Note panels at BlueVoyant in Leeds significantly improved the acoustic environment of the meeting room. By reducing reverberation, the panels enhanced speech intelligibility, communication, and productivity, making meetings more efficient and effective.Testimonial:“I love these videos for illustrating the difference acoustic panels can make in your life!”Recommendation:If your office or meeting room suffers from similar acoustic issues, consider installing Still Note panels to achieve a quieter, more productive work environment.💡 Interested? See the range here ---> Still Note Panels👓 Read more ---> Acoustic Solutions

Office acoustic panels are the best way to fix reverberation in spaces where sound becomes noise. A lot of modern offices end up in need of acoustic panels as contemporary designs use hard surfaces, vaulted ceilings and plenty of glass. While this creates bright office spaces, they are often noisy and difficult to focus in.We partnered up with Yorkshire Soundproofing to go and treat a local office in York that was suffering from terrible reverberation issues.Acoustic problems in the officeAcoustic problems in Monitor’s offices meant people were unable to focus, take a phone call or speak with colleagues easily. These office spaces were newly decorated and refurbed, but sound hadn’t been considered in the office designs. Ultimately, the glass partition, high ceilings, hard floor and in-room kitchenette meant the space wasn’t user-friendly. Luckily, management at the company took sound seriously and decided to get the problem resolved with proper sound absorption.They chose the grey Still Note panels which come in different sizes and suited their aesthetics. They are also a superb retrospective sound design choice as they can be added to ceilings or walls and configured to fit the current space.Why acoustic panels are good in office spacesAcoustic panels are a good fit for office spaces because they can be hung from the ceiling out of the way. In this example, the office still felt light and open after the installation was finished. Acoustic panels can also be adhered directly to the walls. This was done in a smaller side office where two desks were close to a wall which increased reverberation.The acoustic panels are lightweight, which means no additional structural changes need to be made before installation. Our Still Note panels were hung from wire fixings which are adjustable to fit any ceiling height. It is best to allow a gap between the panel and the ceiling, if possible, as absorption is increased. You can see in this example that a 25cm gap was left to improve the performance of the acoustic panels.How were the panels installed?The panels were installed with a fixing and wire system which was simply screwed into the ceiling. Each acoustic panel is hung from multiple pigtail screws that are twisted into the material. This makes the panels easy to install and take down for light maintenance.It is best to spread acoustic panels around an office so that the absorption is evenly distributed. In this case study you can see that the panels go from one end to the other. We generally advise covering around 1/3 of hard surfaces, but this depends on your space and sound issues. For this example, the ceiling treatment alone was sufficient for good sound attenuation.Did the acoustic panels work?Yes, the acoustic panels worked and reduced reverberation in the office. The video above has a before and after audio example, so you can hear how acoustic panels work for yourself. Before installation, the room was too noisy and speech could be hard to focus on. After the installation, sound was controlled and it was easy to talk while other activities carried on.This has made a huge difference to the office and made it far better to work in. Now the office space has been successfully treated, they are installing acoustic baffles in their meeting room. This will make in-person meetings and video calls far easier and more professional.

Rob Small Mastering is an Audio Mastering Suite based in Leeds, they specialise in a range of mastering services that range from stereo mastering, vinyl mastering and stem mastering for pre-mixed music projects. The studio has both digital and analogue solutions that cater to the expansive world of electronic music, you can find out more on the specifics below.

Lifestyle Fitness in Manchester faced noise disturbances caused by everyday impacts within their gym. iKoustic came to the rescue with our MuteMat® Gym 70 soundproof flooring tiles, effectively resolving their noise problem.

This case study explores the construction process of a soundproof home theatre, designed to provide an immersive audio and visual experience while minimizing sound leakage. By implementing a combination of construction techniques and acoustic materials, the goal was to create an environment that offers optimal sound isolation and absorption, ensuring an exceptional cinematic experience for the homeowners.Building a Wooden Frame on a Concrete Base:To establish a sturdy foundation, a wooden frame was constructed on top of a concrete base. This frame served as the structural support for the subsequent soundproofing components.Installing Acoustic Mineral Wool:Acoustic mineral wool, known for its excellent sound absorption properties, was inserted into all the joists, floors, walls, and ceilings. This step helped to minimize sound transmission through these surfaces, preventing sound leakage and echoes, essential for a soundproof home theatre.Creating Soundproof Speaker Boxes:Soundproof speaker boxes were constructed using acoustic plasterboard and Tecsound viscoelastic membrane. These materials were chosen for their ability to reduce vibration and sound transmission, resulting in clearer and more accurate audio reproduction.Installing MuteClip and Channel Sound Isolation Clips:To further enhance sound isolation, MuteClip and channel sound isolation clips were installed on the walls and ceilings. These clips effectively decoupled the surfaces from the underlying structure, preventing sound vibrations from traveling through the building’s framework.Installing Double Layers of Acoustic Plasterboard:Double layers of acoustic plasterboard were installed, with a layer of viscoelastic membrane sandwiched in between. This construction technique helps to create an additional barrier against sound transmission, improving overall soundproofing performance.Installing Double Layers of Acoustic Plasterboard:After completing the soundproofing components, the necessary audiovisual equipment was installed. This included lights, speakers, a projector, and a screen, strategically positioned to optimize audio and visual immersion within the theatre space.Installing Acoustic Absorption Panels:To achieve optimal sound quality, acoustic absorption panels were installed on the walls. These panels were carefully placed to reduce sound reflections and enhance the soundproof home theatre’s acoustics. To maintain a cohesive aesthetic, the panels were wrapped in black fabric to blend seamlessly with the theatre’s decor.ConclusionThe construction of a soundproof home theatre involves a systematic approach, utilizing various soundproofing materials and techniques. By following the steps outlined in this case study, homeowners can create a dedicated space that delivers exceptional sound isolation, immersive audiovisual experiences, and optimal viewing pleasure, transforming their home into a soundproof home theatre haven.

IFG Drake, a global manufacturer of technical fibers based in Huddersfield, faced noise complaints from nearby residential properties due to the industrial chillers on-site. To address this, the client initially attempted a makeshift solution by adding mass to the area using pallets and completed materials. Recognizing the need for a more effective solution, they turned to Noistop Essential acoustic fencing.Installed by our trusted local partners, Calm Acoustics, the Noistop Essential acoustic fencing proved to be the perfect remedy. Feedback from the site has been overwhelmingly positive, with formal acoustic testing forthcoming. Such success has led to another area of the building purchasing the same product, with installation already underway.

In this case study we’ll see how Yorkshire Soundproofing helped this homeowner by soundproofing their walls against noisy neighbours using the iKoustic MuteClip double system.After living next to an inconsiderate neighbour for years this customer decided it was time to take on their noisy neighbour’s situation by soundproofing their bedroom and living room walls.In this case study we’re just going to focus on the bedroom wall. The noisy neighbour in question was playing loud music and TV late into the night. The estimated cost of this job is £600 for materials and £600 for professional installation.If you’re looking for a soundproofing specialist to install an iKoustic soundproof wall system for you visit our installers pageSoundproofing walls against noisy neighboursTotal Time: 2 daysInstall MuteClipsMuteClip isolation clips should be installed in the diamond formation ( You can find more detail in our MuteClip installation guide) You can then clip the MuteClip Channel into the clips to create an isolated frame. This channel can be cut to size using tin stips and reconnected with self-tapping screws.Install Acoustic Mineral WoolThis is 50mm RW3 mineral wool specifically designed for soundproofing. You can pressure-fit it between the channels but using a small amount of spray adhesive makes this step easier. Wear a mask, goggles, gloves and a long-sleeved shirt when handling mineral wool.Install acoustic plasterboardWith a minimum of six fixings per 1.2 x 1.2 board secure the acoustic plasterboard to the MuteClip Channels. I like to place some masking tape on the opposing walls where the channels meet the wall. This makes it easier to snap a chalk line and install the next layer of plasterboard. Be sure to leave a couple of mm gap between the adjacent walls, floor and ceiling. Once all the plasterboard is up, fill all the joins and around the perimeter with acoustic sealant.Install Tecsound wall soundproofing membraneHere we have used Tecsound SY70 as a vibration-dampening layer. This is a self-adhesive viscoelastic membrane. It’s quite heavy to lift so I always get someone to help me at this point. Once the whole wall has been covered you can now fix the final layer of plasterboard.SealingLastly, seal in the perimeter with acoustic sealant and apply scrim tape (seen in pink) to the joints ready for plastering!Estimated Cost: 600 GBPTools:Hammer DrillImpact DriverTape MeasureLevelTin SnipsUtility KnifePPEMaterials: RW3 acoustic mineral wool, Tecsound SY70, Fixings, Acoustic Plasterboard, MuteClip Channel, MuteClip Isolation ClipsThis customer was very happy with the results and their noisy neighbours are a thing of the past!Customer Feedback“I suffered from noisy neighbours since buying the property 18mths ago, shouting, doors banging and loud music. Can now enjoy a peaceful and relaxing home. Anyone thinking of having this work done I can definitely recommend the benefits of doing so”

St Gemma’s Hospice regularly host seated exercise classes, lunches and other activities in their main hall. They noticed there was a lot of echo and sound reflection within the room, this was leading to verbal communication breaking down and leaving residents feeling isolated.Hearing loss is a common issue among elderly citizens, combined with a room with poor acoustics, this issue can be amplified significantly and have a detrimental effect on their mental & physical well-being.Hear the difference the Still Note raft panels made to the acoustics in our YouTube video.It takes our brains 35% more effort to interpret information through poor audio, this can lead to a slower response to stimuli over time.Reflection is where soundwaves emitted from a source hit a solid object such as hard wood flooring or a brick wall & bounce back into the room in several directions. Large rooms with a lack of soft surfaces such as soft furnishings or carpet are especially susceptible to this phenomenon which is what St Gemma’s Hospice were experiencing.Absorptive Acoustic PanelsBy installing absorptive Still Note acoustic panels on the walls & hanging them from the roof we were able to reduce the reflection of soundwaves, completely transforming the soundscape & the room aesthetics.So what did St. Gemma’s have to say about the results?"Just wanted to say a big thanksfor getting this work over the line – the difference it has made is incredible! We had Community MDT yesterday with a full room and everyone commented on the significant improvement to the sound – people could clearly hear what was being said and the sound no longer bounces around or drifts away. The positive difference is also very noticeable when there are only a few people in the room."We have also had some super patient feedback from the Thai Chi group yesterday – “Normally I struggle and can’t hear a thing that is said, and today I heard everything – it’s brilliant”.